Double Publication Alert: Novel Excerpt & Literary Autobiography

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Celebrate with me!

My first Death Rattle excerpt was published today! This passage explores the protagonist’s difficulty with maintaining a relationship with his father under the constraints of working class life and the American Dream.

Read “Neil Aldridge, Sr.” here.

The literary magazine has also published my literary autobiography, “Escapes,” which you can read here.

Upcoming Publication: The Writing Disorder

I’m pleased to announce that The Writing Disorder, an online literary journal, will be publishing the first chapter of my first novel, Death Rattle, in late September, 2020!

I cannot wait for you all to read it!

Thank you all for your overwhelming support and kindness.

Upcoming Publication!

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“Neil Aldridge, Sr.”, an excerpt from DEATH RATTLE, is set to be published on Litbreak Magazine June 23, 2020!

“A Body Bag Will Do”: The Misogyny of Lovelife’s “Your New Beloved”

“We aren’t platinum selling artists yet, so a hot girl in a body bag will do.” – Lee Newell, lead singer of Lovelife, to MTV (2013)

Yes, you read that correctly.

Spotify introduced me to this wonderful synth-pop band under a week ago with this track. I instantly gravitated toward the deep electronic waves – a sumptuous blend of vocals reminiscent of Imogen Heap’s “Hide and Seek” and a hauntingly tribal backbone. Taking the next step toward enjoying the song most fully, I called up its lyrics.

A type-2 composition: a break-up song. Nothing out of the ordinary, yet profound in itself.

Continue reading ““A Body Bag Will Do”: The Misogyny of Lovelife’s “Your New Beloved””

Spike Jonze’s “Her”: Critiquing America’s Love Affair with Hollywood

 

The world’s love affair with celebrities has gotten out of hand. I’ll admit that I’m a part of this massive head-over-heels, obsessive group of individuals (ranging from 12 to mid-fifties and beyond) that craves a three-hour block on Tumblr (or Reddit, or Buzzfeed), to scroll through images, GIFs, Avengers fan fiction, and even interviews with all of my favorite celebrities. I swoon, I cry, and I get excited over the smallest things — from a change in haircut and/or color to the news of a pregnancy, or another interview with an actor who this woman has worked with several times before. But what, exactly, am I swooning over? Who she really is? What that actor actually thinks about his co-worker? What I can only imagine he or she feels about the film and his or her costars? So how does Spike Jonze’s Her comment on all of this?

Continue reading “Spike Jonze’s “Her”: Critiquing America’s Love Affair with Hollywood”

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